Description: After Paimon, Lucifer’s top soul collector, falls in love with a mortal girl whose soul he is supposed to claim, he desperately tries everything in his power to save her from the Devil’s grasp. But what happens when a demon has to confront his demons, when he has to turn to something darker, something more sinister for help? Can Paimon survive the consequences of working with the Seven Deadly Sins-sins who have their own agenda with the Devil—or will he fall into a deeper, darker kind of hell?
Review: Having been a fan of Stephanie Wytovich’s poetry, I was very excited to see her prose in the form of her novel The Eighth, recently released by Dark Regions Press. The author is known as an amazingly gifted poet, so it was no surprise to me that right away her word choices and descriptions struck me as vivid and magnificent.
Although I was a bit confused as to the fact that the main character, Paimon, is, in fact, a demon (some of the initial descriptions suggest a monk or priest with a flair for sado-masochism), it quickly became apparent that our setting was Hell, described as having a “chilled embrace,” which I thought was neat.
Paimon punishes himself because he feels it is the only way he can atone for his sins. He serves none other than the Devil, Lucifer, but is at a point where he is conflicted about that, having done it for so long. He doesn’t particularly like doing assignments on mortal ground, i.e. Earth, so when his next assignment is there, we know it will be a bumpy ride for him.
He is haunted by the death of a woman, Marissa, and more about this mysterious relationship is revealed as the book goes on. His fellow demons don’t make things easier for him either, getting quite gleeful when he is in pain. I liked the incorporation of Greek Mythology in the form of making the ferryman, Charon, a character.
Essentially, Paimon is a soul collector, and he specializes in women who come from troubled backgrounds. The demonic clan he belongs to also demands a certain number of souls for him to harvest per year.
We then meet our other main character, Rhea, a human woman, who is dealing with a boyfriend she suspects is cheating with her best friend. Anyone with depression will recognize that the voice she hears in her head is the inner critic that torments and pesters at our brains daily.
One part of Paimon that was challenging to sympathize with was the fact that he comes from a background of having been rejected quite a lot by women when he was human. He uses that as a justification of taking pleasure in exacting revenge on the women whose souls he harvests. His dialogue was a bit too informal at times, as well, so while more consistency would have made his speech stand out more, his lines are wonderful for the most part.
Another minor quibble I had was the detail about how Rhea had supposedly never been intimate with her boyfriend after a relationship of seven years. Nonetheless, Paimon uses this point as one of the chief things to mess with Rhea’s head and it’s good ammunition.
Paimon wonders why women are so blind to seeing when they’re being manipulated, but one of the big reasons he points to in order to account for this is his view that they trust too much and fear too little. I wish the author had gone even deeper with conveying Rhea’s pain and showing more of how destructive her depression is.
“The girl was so desperate for affection that she’d turned to a complete stranger for help.”
Switching gears, I want to talk a bit about the demons of this universe. They have fangs and sometimes act more like vampires, but there are definitely interesting and distinct ones among them. One of the more unique demons apart from Paimon was Arazel, a female demon of lust that I took a shining to. She wasn’t over-the-top or mean for the sake of being mean and although we meet her midway through the book, she ended up being one of my favourite characters.
In this version of Hell, there is also a group of demons called The Seven. They are “keepers of the deadly sins”, as in the seven deadly sins, Paimon says of them: “You need to fear them more than the Devil,” which is interesting because at a few points in the novel, he also refers to Lucifer as his saviour so there’s an interesting duality to their relationship.
Speaking of the Devil, he’s a no-holds-barred kind of representation–jealous, vengeful, violent, angry, manipulative. Basically, all the things you would want to see in a Devil. I also enjoyed the tongue-in cheek reference to Virgil, citing the Pit as one place in Hell that not even he knew about.
Dante’s Inferno is, of course, one of the clearest influences on this novel as well as Milton’s Paradise Lost so take those two texts and mix them with a Barker-esque twist and you’ve got The Eighth. This novel also reminded me of The Monk by Matthew Lewis with some interesting parallels there, as well. If you love any of those books or just love horror novels about hell and demons, definitely pick up The Eighth.