The Final Reconciliation
by Todd Keisling
Crystal Lake Publishing
Release Date: Feb 3, 2017
*** Review copy received from the publisher in exchange for an honest review***
TAKE OFF YOUR MASK. Thirty years ago, a progressive rock band called The Yellow Kings began recording what would become their first and final album. Titled “The Final Reconciliation,” the album was expected to usher in a new renaissance of heavy metal, but it was shelved following a tragic concert that left all but one dead.
The sole survivor of that horrific incident was the band’s lead guitarist, Aidan Cross, who’s kept silent about the circumstances leading up to that ill-fated performance—until now.
For the first time since the tragedy, Aidan has granted an exclusive interview to finally put rumors to rest and address a question that has haunted the music industry for decades: What happened to The Yellow Kings?
The answer will terrify you.
Inspired by The King in Yellow mythos first established by Robert W. Chambers, and reminiscent of cosmic horror by H. P. Lovecraft, Laird Barron, and John Langan, comes The Final Reconciliation—a chilling tale of regret, the occult, and heavy metal by Todd Keisling.
Review: I’m not sure why, but a good chunk of horror readers, myself among them, tend to be big fans of heavy metal music. Years ago, I reviewed a fantastic anthology called Living After Midnight: Hard and Heavy Stories edited by David T. Wilbanks and Craig Clarke, which was put out by Acid Grave Press, and each of the stories had the name of a heavy metal band, like Judas Priest or Iron Maiden, and they were amazing. You can imagine my excitement, then, when I discovered that Todd Keisling’s new release from Crystal Lake Publishing, The Final Reconciliation, is another book that combines metal and horror.
Aidan Cross is an aging former rock stair who was in a band called The Yellow Kings. A producer is speaking to him about the band’s history, something we are told from the get-go is a rare phenomenon, and it’s all to do with something horrible that happened years ago to Aidan and the rest of his bandmates. He has spent most of his life after this incident trying to reconcile what they all went through. It doesn’t take long for us to discover that whatever it is that has happened, Aidan is the only one who walked away.
Interestingly, I thought that this story would have been set in the 70s as it started off with that kind of a vibe, but The Yellow Kings are a relatively recent band, which Keisling suggests by including names of other more recent metal acts, such as Mastodon and Opeth (two of my very favourites!) Aidan speaks about how the band’s music consists of 15-minute epic rock journeys, which is something that has not been popular for a long time. In spite of this, the band gets word that they’ve received funding to go on tour.
Another name for them is King Crimson 2.0, which I found interesting because the other vibe I got from The Yellow Kings is that they would be British (like King Crimson), but they’re from Texas as it turns out. Aidan paints an interesting portrait of his bandmates, including the lead singer, Johnny, whom he describes as being the sort of fellow that would have become a creepy horror writer if he had not picked up a guitar in his youth.
One of the best things about this book is the authenticity factors–Keisling has a very good knowledge of band experiences, details of being on tour, as well as the dynamics between bandmates. When the band gets its first dose of success, the “groupies” are not far behind, including one memorable girl in particular, Camilla. Aidan sets her up for the reader as the reason why everything went downhill for the band, and it was certainly interesting to see how it all unfurled. I had some theories about whether she was a succubus or a siren or another vixen type of mythological creature, but regardless of that, she makes it clear that there is a dark master the band can help her serve, and it doesn’t take long for things to spin out of control after that.
The lead-up builds to a high crescendo at a concert, the results of which are devastating and highly impactful. So, if you’re a huge fan of the King in Yellow mythology and stories or if you’re craving another hit after watching the first season of True Detective, then pick up Keisling’s book. It’s a phenomenally well-told story delivered in the form of a quick but memorable read, and it’s something that horror readers will enjoy even if they’re not huge fans of metal. With each release, Keisling gets better and The Final Reconciliation is no exception.
About the Author:
Todd Keisling is the author of A Life Transparent, The Liminal Man (a 2013 Indie Book Award Finalist), and the forthcoming collection, Ugly Little Things.
He lives somewhere in the wilds of Pennsylvania with his wife, son, and trio of unruly cats. Visit his website, and connect with him on social Facebook or Twitter.
This entry was posted in Book Reviews, Books, Horror Genre and tagged Book Reviews, Crystal Lake Publishing, heavy metal, heavy metal horror anthology, horror, horror books, horror reviews, living after midnight, the king in yellow, todd keisling, true detective.