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*** Review copy received from the publisher in exchange for an honest review ***
Lisa Morton’s story “LaRue’s Dime Museum” kicks things off and starts in a very Cthulhu-meets-1940s pulp mood. The main character, Julie, starts off by finding some old photographs of a travelling circus and she finds out from the modern-day shop that the place, LaRue’s, closed sometime in the 1960s. Fans of Lovecraftian horror will enjoy this story. Julie has a bit of an obsession with film noir movies from the 1940s and the Humphrey Bogart type. Pretty soon, she starts to see some of these people from the old photographs and thinks she’s going mad. There is a definite plot twist towards the end and I found this story to be an enthralling introduction to the anthology overall.
Next up, “Wildflower, Cactus, Rose” by Brian Kirk starts with the point of view of the child of a woman who has had a botched surgery gone very bad. Both of them struck me as possibly turning out not to be human, particularly the child. The unreliable narrator trope is a running undercurrent throughout the piece, which adds interesting layers. The imagery is also very vivid and well-described in this tale of the perils of corporations and their effect on the environment in the name of profit.
Probably my favourite story in the anthology was by Hal Bodner, “The Baker of Millepoix.” It starts off with a man, Henri, who, after losing his husband, Marc, moves to the small French town that Marc was originally from. I enjoyed the foray into French culture and language, even if the dialogue and a few characters tended toward the over-the-top at times. Nonetheless, the incorporation of opera was a nice addition. Henri becomes a baker and beyond that I can’t say much without giving away the plot, so I will say that if you enjoyed the film Chocolat, you will appreciate this story, although this one has a decidedly more interesting twist.
Legend Clive Barker’s offering is called “Jacqueline Ess: Her Will and Testament” and begins with a (trigger warning) woman who is attempting to kill herself. It’s a story that reads like a hallucinogenic experience, a quality that some of the other tales in this anthology share, and again the theme of the unreliable narrator is executed here, pretty much to perfection.
The first of two poems from the sublimely talented Stephanie Wytovich, “An Exhibition of Mother and Monster,” was a fascinating composition and a good bridge to the next story, John Langan’s “Madame Painte: For Sale,” which makes what I’d have to say is one of the most interesting uses of garden gnomes that I’ve seen in fiction.
Next up, we have another living legend’s tale, that of Neil Gaiman, called “Chivalry.” Within the first third, I recognized the piece as a riff on Song of Roland, the epic poem that tells the story of Roland’s quest for the Holy Grail. Essentially what happens in the Gaiman piece is an old woman, Mrs. Whitaker, buys the Holy Grail (without knowing what it is, of course) at an antique or thrift shop of some kind. But instead of Roland coming to her house and asking for the relic, Sir Galahad does (spelled as Galaad in this story).
The story is, of course, intended to come across as comedic to a certain extent, but Gaiman, being the absolute master he is, juxtaposes the humour with the more serious elements of the tale very well. Continuing the train of living legends featured in this anthology is Ramsey Campbell, with his story, “Fully Boarded.”
Canadian Erinn Kemper follows with her story, “In Amelia‘s Wake,” a sort of supernatural Grapes of Wrath type story involving what really happened to Amelia Earhart set in Alberta, Canada, in 1937, right before World War 2.
Readers who have a penchant for historical mysteries, particularly those having to do with Ms. Earhart, with an Unsolved Mysteries vibe, will enjoy this tale.
One of my perennial favourites, John F. D. Taff, has a story of a Concentration camp survivor called “A Ware That Will Not Keep” that involves a supernatural element from Jewish mythology, and that’s all I’m going to say because I don’t want to spoil it. This is another case of a story where the protagonist’s grandfather, Lev, may not be telling the complete truth and reinforces the message that everything, but especially revenge, comes with a high price. Taff’s offering is one of the strongest the anthology has to offer because of how he utilizes story structure so well.
Patrick Freivald’s offering, “Earl Pruitt’s Smoker,” is an ominous tale set in the world of beekeeping, and has a very creative spin on hive hierarchy with a creepy, unsettling ending thrown in for good measure. Following this is the second of two amazing poems by Stephanie M. Wytovich, this one even more evocative than the first, and it’s called “As a Guest at the Telekinetic Tea Party.” The imagery was magnificent in this one, as well.
Lucy A. Snyder’s story, “Hazelnuts and Yummy Mummys,” reads like a cautionary tale for authors and takes place in a setting most are familiar with: at a writer’s convention or conference, albeit in this case a fictional one. Any author who has ever sold books at a convention in the dealer’s room will be familiar with the scenario that begins the story. The protagonist, Miss Bower, is trying to keep busy over Halloween weekend at this convention purposely so that she can preserve her sanity as much as possible owing to a tragic event that befell her a few years ago, but we don’t know what at first. The story also deals with themes of mental health issues and it reads like a hallucinogenic trip. Still, the story is full of surprises.
Other notable offerings include Kristi DeMeester’s “The Wakeful,” which was probably the most disturbing story for me in the anthology and involves a school teacher getting entangled in the creepy life of one of her young female students. If you want disturbing body horror, look no further than this tale. Furthermore, there is a reason why DeMeester has been one to watch for the past few years.
Also notable was “Through Gravel” by Sarah Read, which deals with an underground-ish people, the Kindred, and how they have struggled to reproduce for more than eight years so when they finally do, it is very momentous, but also fraught with much angst because there is a lot at stake here. This story is a wonderful example of the ‘beautiful horror’ theme that Murano started with Gutted, which I also reviewed.
Last, we have Richard Thomas’s story, “Hiraeth,” a memorable, post-apocalyptic tale with shades of Cormac McCarthy that I found to be thematically similar to the Sarah Read story, so if you enjoyed her story, Richard’s will also prove to be gratifying and was a perfect way to cap off this anthology.
Behold marks yet another stellar anthology of horror fiction from Crystal Lake Publishing. Editor Doug Murano has assembled an intricately quilted patchwork that collects a unique combination of well-written stories that continue the theme of beautiful horror established by his previous anthology, the underrated and remarkable Gutted. As with any anthology, some stories will resonate more with certain readers, and everyone will have a different list of favourites, but the pages of Behold contain memorable tales you won’t soon forget.
I’ve been wanting to read Chiral Mad 3 ever since I heard it was coming out. Having been thoroughly impressed by the stories in the previous volumes, and seeing the all-star lineup unveiled bit by bit before the book’s release made me eager to get my mitts on a copy. This anthology features a mixture of short stories and poetry as well as artwork.
Now, I will say right off the bat that I didn’t review the poetry in this anthology, not because I didn’t think it was excellent (it was). The quality was, unsurprisingly, sublime, but I’ve never felt comfortable reviewing poetry. However, what I will say is that the placement of the poems functioned as a unique complement to each of the stories. As well, the artwork deserves high commendation because it truly enhanced the quality of each of the pieces.
“The Poetry of Life” by Richard Chizmar kicked things off. At first I thought this was a second introduction and I also thought it was non-fiction because of the use of the personal memoir style, which was very believable. That, folks, is what we call an exercise in how to paint a believable character.
Next up, “The Last Rung on the Ladder” by Stephen King focused on a character who gets a letter with some dangerous significance, particularly to his elderly father. Even though said letter contains just a sentence, that one sentence is bad enough that the protagonist decides it’s better kept as a secret.
King has done a masterful job in just a few pages of establishing curiosity in the reader and tension at wondering what’s so bad about this note. Well, for starters, the author of the letter is Katrina, the younger sister of the protagonist. He hints carefully at an incident that occurred in a barn when Katrina was eight years old.
As well, King’s use of language, particularly through the intimate reflections of the protagonist, were executed very well. On a sadder note, it was difficult to observe how relationships disintegrate and how one traumatic event could be the root of so much dissension. When I discovered the big reveal and the contents of the letter, it floored me and broke my heart. If it doesn’t break yours, you have no soul as far as I’m concerned.
“A Rift in Reflection” by Hal Bodner starts with a character, Philip’s, death. Philip finds himself in a graveyard where there is a community of the dead. There, he is reunited with David, his lover who passed away decades ago. We learn more about Philip and David’s relationship and everything seems relatively quiet until there’s an earthquake. This story has a sad, bitter ending.
In “Windows, Mirrors, Doors” by Jason V. Brock, Marion is dealing with the fallout of her identical twin sister’s death. I found this piece to be existential and philosophical, so if you’re into that when it comes to your horror, be sure to read this tale. The creep factor is definitely high, as well.
Paul Michael Anderson takes us into a tumultuous household in “The Agonizing Guilt of Relief (Last Days of a Ready-Made Victim)”, which is about a young man, Ben, who tries to protect his younger brother, Jude, from their abusive father. For anyone who has grown up under similar circumstances, Jude will be a difficult character to take in. He certainly was for me, mostly due to the fact that he made excuses for his father throughout the tale, as well as for the kids at school who were beyond horrid to him.
It was painful to see how hard he worked to impress them and to get them to like him. Ben, who has been accepted to university, is in constant turmoil as to abandoning his little brother but also needing his own independence. The moral is that someone can spend so much time trying to protect someone else only to end up endangering them. This story had a lot of shades of gray both in the sense of the characterization but also in the sense of the reader discovering that a situation that seems clear cut at first is not always so.
“The Black Crow of Boddinstraße” by Emily B. Cataneo is a tale of anthropomorphism that depicts a bird as the main character who goes to a junkyard of unwanted things, convinced that’s where it belongs. However, it has also made a connection with a girl that it sees through a window and hangs on to the hope that perhaps things may not be so bleak after all.
Continuing the bird theme, we have “A Flash of Red” by Erinn L. Kemper that deals with a girl, Claire, who sews a bird feather into her skin. After that, people start paying attention to her including a cute guy. They watch passengers get on buses together and for a while, it seems like things are picking up. She learns, however, that being seen in this new way can also have dire consequences.
Trigger warning: If you struggle with depression, OCD or negative thought spirals, the following story may be difficult for you to get through. “Red Runner vs. The Surgeon, Issue 18” by Jessica May Lin is a very cleverly-told story that breaks the fourth wall, so to speak. Red, the main character, is a comic book hero who is starting to take a life of his own, opposite to his creator’s wishes, and he complains that his creator is forcing him to do dumb things. It’s an entertaining yarn, and even though I could see the ending coming–not to mention, I felt terrible with the sense of inevitability–it’s a well-woven tale that takes a lot of skill to pull off. Comic book fans will dig this one.
“The Dead Collection” by Mercedes M. Yardley was one of my favourites. It features a protagonist named Anika who starts to amass a literal band of ghosts that follow her at all times (yes, even in the shower). When someone close to her dies, they become part of her “collection”, including a cat. She has no control over it. For me, this story painted a near-perfect picture of a metaphor for what it’s like to live with post-traumatic stress disorder. People who suffer from this condition feel like they’re carrying around ghosts in their heads, convinced that someone who traumatizes them is actually present even though the logical part of their brain tells them it’s impossible.
I want to highlight one of the lines from this story. It is haunting, chilling, memorable, and tragic all at the same time:
“Living mothers weren’t meant to have dead children.”
The ending to this story delivers one of the saddest gut punching twists in the anthology.
“Watch Me” by Meghan Arcuri is about Elle, a girl who lives across from a woman, Ava, who is a seductress that Elle wants to emulate. In the beginning, we see Elle doing just that but then we backtrack a little bit to find out how she got to that point. Ava’s point of view is even more illuminating, and lets the reader know the whole sordid tale of what’s going on. The ending did seem a bit abrupt for my taste and although I could see the ending coming, it tied everything together in a neat way.
Josh Malerman takes us into “The Bigger Bedroom” with Barry and Brian, both eight, who have moved to a new house with their mom and dad. The bigger bedroom belongs to Barry. It doesn’t take long for things to go downhill, and things do just that when Brian wakes up scared in the night, convinced that he’s hearing his brother’s voice.
There’s a lot of mystery and a build-up to a big reveal at the end. In an unsurprising move, there’s a graveyard near the house with a family plot, and although more astute readers will likely know where the story is going by a certain point, it still had a very disquieting vibe that reminded me of the early works of Stephen King.
“That Perilous Stuff” by Scott Edelman is about a woman who returns to her mother and brother’s house. They’re both hoarders. Although this story was a bit on the longer side and did make me question where everything was leading a few times, the narrative picked up at the midway point when the protagonist set out on a mission that she believed would liberate her mother from her situation and the ending pulled everything together well.
Leaning more towards the science fiction horror spectrum, “3-Dot People” by Gene O’Neill introduces shades of Philip K. Dick. This story concerns a guy with memory loss and a woman, Ms. Jilly, who says she can help him, but as is often the case in stories like these, some characters have a very peculiar definition of what they mean by “help” and this story is no exception.
“Silver Thread, Hammer Ring” by Gary A. Braunbeck is one of my favourites of the bunch. Set after the Civil War of the United States, this story revolves around John Henry, an ex-slave who dreams of a bird-man and wonders if he will become it. His brother, Martin, died under horrific circumstances, which is an undercurrent that runs through the piece.
Racial tensions, Klansmen, and Greek Mythology all intersect in this tale that sees John Henry applying for work at a railroad. He gets the job and is thought to be excellent with a hammer, possessing strength beyond what one man should. Soon after, he and his railroad workers encounter a guy with a bull’s head intent on ruining their work.
We discover that there are two bosses, Minos and Daedalus, warring and these men are caught in the middle. Yes, there is an Icarus if you’re wondering, and he has an interesting role to play. The hammer also has a very interesting provenance that I won’t spoil.
This was also one of the stories that ran longer. While most of the dialogue was good, some of it did veer into ebonics territory. Nonetheless, I enjoyed the fact that this tale didn’t feature a grim ending but instead a redemptive arc.
If you’re into Weird Westerns with high levels of creepiness, you’ll enjoy “The Offering on the Hill” by Richard Thomas, which is very much a man vs. nature story about a gunslinger who wants to get to a mountain but is warned that madness lies that way. For those of you who tend more to the military horror side of things, be sure to check out “Those Who Watch From On High” by Eric J. Guignard.
One of my other favourites was “The Whipping Girls” by Damien Angelica Walters, a stand-out of this anthology. It features Erika, a young girl driving to the Kansas-Colorado state line. She quit her job on a whim and decided to leave her life behind. She is running, and although I thought of many reasons, the ultimate reason turned out to be hard-hitting.
Erika’s mother was definitely on the not-so-nice side, which is putting it mildly. As the story progresses, Erika encounters younger versions of herself and it becomes clear that she is trying to run away from herself. This story combined post-traumatic stress with self-hatred, a potent and explosive combination with anyone who has ever gone through them. The ending, although inevitable, broke my heart.
Capping off the anthology, we have “Seconds” by Jack Ketchum. This story is about a female professor sleeping with her much younger male student. With shades of “The Portrait of Dorian Gray” by Oscar Wilde, this story highlights the theme that things are not always what they appear to be, and that some characters have histories far darker than they initially let on.
To say that this is anthology has been put together well would not do it justice. The fact that editor Michael Bailey manages to pack so much immense quality and talent in all of his endeavours is truly astounding. If you’re a horror fan, you must make his anthologies a part of your library.